Articles

ISSUE #66 2008

christian marclay: replay marclay by andrew clifford

"passport, baggage and identity please" michael goldberg and the art of anxiety by tim gregory

wilkins hill and the art of hermeneutical uncertainty by mark pennings

bystander ross gibson and kate richards by john conomos

in xanadu visual arts in adelaide by ross wolfe

robert macpherson: popov and the lost constructivists by courtney pedersen

registers of the lost by ingrid periz

isomers & compounds: physical chemistry of jae hoon lee by hanna scott

armstrong's anatomia by ashley crawford

fiona foley: sea of love by louise martin-chew

ISSUE #65 SUMMER 2007–2008

a reappraisal of david lynch after the release of inland empire by wes hill

darren almond: the limits of representation by lily hibberd

arin rungjang: a minor romanticism by david teh

disciple of the pearl: rohan wealleans by stella brennan

jeremy hynes: the event horizon by beth jackson

judith kentish: mapping territories of the self by anne kirker

tony garifalakis by ashley crawford

catherine bell: cooking up crimes and maternal misdemeanours by melissa miles

optimism, islam & connectivity: the tenth istanbul biennial by gina fairley

wonderful world by sera waters

 

ISSUE #64 SPRING 2007

'the gallery will make it art anyway': brian o'doherty and gordon matta-clark by ingrid periz

travels in space by robert payne

the grand tour 2007 by marco marcon

what is to be done? 52nd biennale di venezia and 12th documenta kassel by zara stanhope

turbulence across the ditch: the third auckland triennial by julie ewington

lily hibberd endless summer: sunglasses and the spectacle of vision by melissa miles

pleasure of a tangled life: julia gorman in public and in private by sarah tutton

alternative islam: an interview with arahmaiani by david teh

outside looking in: impressions of hong kong's contemporary art scene by michelle antoinette

ISSUE #63 WINTER 2007

'ten[d]ancy' at elizabeth bay house: history refigured russell storer in conversation with sally breen

the illusionist hany armanious by miranda wallace

goma brisbane's gallery of modern art by maisy stapleton

goma, the apt and the contemporary by rex butler

a decade of distance: scott redford at the ima by wesley hill

lockhart river's worldly indigenous art by sally butler

nick mangan's environmental armageddon by ashley crawford

flattened sculptures: the photomediations of daniel von sturmer by amy marjoram

gotta move on maap: out of the internet by melinda rackham

in the time of turrbal-jagera by ellie buttrose

ISSUE #62 SUMMER 2006/2007

olaf breuning interview by wes hill

new rhythms from a private universe: philip dadson by andrew clifford

the writing on the wall: recent installation projects by the collective et al by ewen mcdonald

a busy week in a frantic century shanghai biennale by stuart koop

hope (regarding belief) by june yap

decentralisation works singapore biennale 2006 by anne kirker

project . memory . migration alfredo and isabel aquilizan by gina fairley

drag/mash by gary carsley

destiny deacon: reading across spaces by geraldine barlow

samantha hobson's 'resistance' painting by sally butler

ISSUE #61 SPRING 2006

gertrude forum: the only thing you taught me was the only thing you know (Forum excerpt available here)
by alexie glass and ulanda blair; helen johnson; michelle ussher; robyn ayres; tamara winikoff; richard bell; justin clemens; zara stanhope; stephen gilchrist

alternative: x by gina fairley

floating worlds: zones of contact: the 15th biennale of sydney by jo holder and catriona moore

biennale of sydney 2006 by mark pennings

the appreciation of criticism by lee weng choy

merewether's pharmaceuticals biennale of sydney symposium – after the event: rewriting art history by ellie buttrose

yvonne todd: stilled life by hanna scott

peta clancy: skin and supple boundaries of self by melissa miles

reclaiming land: adam hill and danie mellor by adam geczy

idaa and the harries by danni zuvela

 

ISSUE #60 2006

conceptual paradise: there is a place for sophistication. stefan romer in conversation with wesley hill

in this house: a conversation with akram zaatari by mireille astore

near intervisible lines: hayati mokhtar and dain iskander-said by gina fairley

ruark lewis and the expanded field of language by reuben keehan

into the abyss: the mirror works of kim demuth by kris carlon

intimate relations: on the fascination of matthys gerber for theo schoon by ann elias

sally smart: the exquisite pirate by melissa miles

making a home for mondrian: the 2006 adelaide biennial of australian art by ann stephen

kiss of the beast by danni zuvela

 

ISSUE #59 SUMMER 2005-2006

'the darkened tomb of memory': lisa tomasetti's photography by melissa miles

sean godsell: a journey with the centre of contemporary photography by winsome callister

can be a painting ... robert macpherson's welcoming sign by ewen mcdonald

adam geczy collaborations by jane o'neill

claudia terstappen: a language of the sacred by anne marsh

peter alwast and the aesthetics of disinclination by mark pennings

julie rrap: soft targets by blair french

reading the library: artists' books and art worlds by linda carroli

illusions of grandeur highlights of the 2005 melbourne international festival visual arts program by melissa miles

 

ISSUE #58 SPRING 2005

out of place, out of time, out of mind. shaun gladwell's aesthetic explorations by mark pennings

the 51st venice biennale. torpor and tremor in an aging garden by graham coulter-smith

this time another year. ricky swallow at venice by jena woodburn

alternative spaces, alternative histories: revisiting three artist-run initiatives by melissa miles

the death of irony: three colours, gordon bennett and peter robinson by sally butler

beauty and the beast: 'grace cossington smith' by catriona moore and jo holder

bill henson: 3 decades of photography by kyla mcfarlane

jewel mackenzie: minimalism by the metre by timothy morrell

before and now: the work of david noonan by johannah fahey

 

ISSUE #57 WINTER 2005

piercing the subject: 21c anxiety in the works of david rosetzky by anne marsh

tony schwensen: fatwhitestraightbaldguy by adam geczy

jemima wyman and catherine brown: a sensorial abstraction by beth jackson

gary carsley's draguerrotypes by russell storer

conceptual crochet/conceptual beauty by jacqueline millner

karee dahl and cassandra schultz: installations by iola lenzi

grahame fletcher's infectious hybridity by melissa miles

mark adams and the politics of pe'a by prue ahrens and pat hoffie

26th bienal de sao paulo by david broker

absence: an installation by anne lord by lynn scott-cumming

ISSUE #56 SUMMER 2004/2005

no two ways about it on the clifford possum tjapaltjarri retrospective by andrew mcnamara

gwangju biennale 2004 a viewer-participant memoir by craig judd

inner distances by monika krikstopaityte

jackie redgate by jena woodburn

in 'ruby's room' anne noble by kyla mcfarlane

the owl of minerva and recent art by linda williams

tapping the drip noel skrzypczak and guy benfield by alex taylor

recording, revealing, reconciling: the photographic practice of jo grant by courtney pedersen

spatial collaborations new commissions at acca by melissa miles

sasi victoire 'through the looking glass' by caroline daniell

conference report 2004 res artis conference by ulanda blair

 

 

ISSUE #55 SPRING 2004

elastic: printed project by ann finegan

grant stevens: questioning the return by mark pennings and danni zuvela

on reason and emotion: the biennale of sydney by jacqueline millner

i work for cover, just like you... 2004: australian culture now by fiona macdonald

aboriginal art out of context by rex butler

mikala dwyer in conversation with susan rothnie by susan rothnie

lily hibberd: a painter's cinema by anne marsh

tv moore: i am somewhere in the city by kate rhodes

roderick bunter: 4.30pm weekdays by maud page

to look without. artists' self portraits in australia by margaret maynard

ISSUE #54 WINTER 2004

through a refugee's eyes by peter j. hutchings

joachim froese's rhopography by timothy morrell

fiona macdonald's museum emotions by debra parr

john conomos / cyborg ned by anne finnegan

disorientation: the affect of lockhart river's indigenous art by sally butler

ken thaiday in conversation by michele helmrich

coupling: responding to recent work of judith wright by anne kirker

judith wright one dances by russell storer

'who's that girl?' the work of fiona clark by adam geczy

a thousand freeways: nick mangan's sculptures and articulated spaces by karen hall

four artists: the territory years contemporary territory 2004 by anne ooms

 

 

ISSUE #53 SUMMER 2003-2004

poetic justice in the gardens of constantinople: 8th international istanbul biennial by rhana devenport

not so fast: peter callas by stuart koop

seriality and insanity: the aesthetics of administration revisited. anne ferran's 1-38 by susan best

biab: the first beijing international art biennale china by pamela hansford

merilyn fairskye: connected by toni ross

danielle thompson: marks of light by melissa miles

revelations of the insensible: the paintings of juan ford by justin clemens

bill henson: darkness on the edge of town by blair french

sacred ground beating heart: the work of judy watson 1989 – 2003 by ian mclean

ISSUE #52 SPRING 2003

richard bell: who's dreaming now? by morgan thomas

remembrance and the moving image by freda freiberg

from vienna to chemnitz: eclecticism & interpretation in the work of richard dunn by pamela hansford

peter kennedy: urban illuminations by melissa miles

monika tichacek: the very essence of romance is uncertainty by tanya peterson

andrew arnaoutopoulos: a bountiful mind by ihor holubizky

the dictatorship of the curator: the 50th venice biennale by graham coulter-smith

singapore, thailand and indonesia at the 50th venice biennale by iola lenzi

a short history of a gallery in canberra by chris chapman

indexes and footnotes: jones/starling by sophie o'brien

 

 

ISSUE #51 AUTUMN/WINTER 2003

performancemaniac: the work of hayley newman by bridget crone

the art of falling apart: tim silver by russell storer

mirror-ball memories: jay younger's glare by michele helmrich

take a good look at my face 'love at first sight': artists and their relationship with the camera by zara stanhope

playing with perception: virginia ross by jacqueline millner

perception lookout: towards a practice of affect by beth jackson

the cordial home project: sean cordeiro and claire healy
by chris chapman

a geometry of life: melbourne's new arts infrastructure by adrian parr

the journey from field to fieldwork 1968 - 2003 by margaret plant

'art for social change' kamin lertchaiprasert and a new chiang mai enterprise by anne kirker

 

ISSUE #50 SUMMER 2002/2003

australia at the xxv bienal de strevor smith in conversation with ihor holubizky

pat brassington by kyla mcfarlane

multimedia arts asia pacific: maap in beijing 2002 by david broker

asia-pacific triennial of contemporary art 2002: islands of promise in the dark waters of a new world order by helen grace

asia-pacific triennial of contemporary art 2002: free tai chi classes with green tea by stuart koop

asia-pacific triennial of contemporary art 2002: we are not the world by morgan thomas

geoff kleem: architectures of display by blair french

the politics of immersion in the work of elizabeth gower by adrian parr