CONTENTS—EYELINE ISSUE #12 (Winter 1990)

Front cover image: Joseph Beuys, from the performance How to Explain Paintings to a Dead Hare, Galerie Schmela, Düsseldorf, 1965. Detail of photograph taken by W. Vogel.

Back cover image: Eugene Carchesio, From the Peoples Republic of Spirituaal REvolution, 1990. Courtesy Bella Gallery, Brisbane. ©Folio Arts 1990.


news articles interviews

art news
peter anderson
aboriginal imagery: influence, appropriation, or theft?
sarah follent
interviews chris downie
julia robinson
the new naturalists
margo mcclintock
interviews joseph o'connor
sarenco

questions for the man in the felt hat: an interview with josph beuys
nicholas zurbrugg, eugene carchesio, and grahame coulter-smith
interviews rené block
john conomos
video art at the sydney biennale
sarah miller
writers in recital at the eighth biennale of sydney

 

reviews

nicola teffer
fiona macdonald: cyclopaedia
ainsley harmon
joseph o'connor: exhibitionism is a drug- sometimes you get hooked

diane losche
paraculture: cargo cult in new york
pat hoffie
shelagh morgan: mutespace
kate ravenswood
real art
alan r. dodge
strange harmony of contrasts: recycling modernism
david burnett
traces of place: the australian flying art school
colleen mullin
csaba szamosy, edite vidins: strange attractors
jim z krank
they live
anneke gelofte
gary carskel: dodelijk speelgoed- deadly toys
cherene spendlove
eugene carchesio
catherine doylesteven carson and marc sauvage
particia piccinini and peter hennessey
susan fereday: value
valerie toker
lynette cooney: a personal mythology


artist pages and advertisers

watters gallery
metro arts galleries
queensland art gallery
the arts bookshop
institute of modern art
roz macallan gallery
artspace
queensland artworkers alliance
editions
griffith artworks, griffith university
queensland college of art gallery
art gallery of south australia
space base

jim brodie    
 rebecca sweeney     
regional galleries of queensland